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Timberlake FA83, James. Contemporary Art from the Chase Manhattan Bank Collection, The Yokohama Museum of Art, Japan, June 18October 1, 1989 . Exhibit opens new facilities at Walker. Minneapolis Star and Tribune, 23 September 1984: 1G, 6GX. 50 New York Artists. The Resurgence of Portraiture. International Herald Tribune, 31 December 1994: 6. Reviews: Chuck Close. Art News 72, no. 17 (May 1976). Prohibition W Minneapolis - The Foshay 821 Marquette Ave. 27th floor Minneapolis, MN 55402 (612) 215-3700 thelivingroom-prohibition.com I love all of the speakeasy-style bars around Minnesota. Washington, D.C.: Smithsonian Institution, 1995. 2) (exhibition catalogue). Litchfield, Connecticut: Art Insights, Inc., 1996: illustrated. Escondido, California: California Center for the Arts Museum, 1996: illustrated. Traveled to: Frankfurter Kunstverein, West Germany, January 6February 18, 1973; Kunst und Museumverein Wuppertal, West Germany, February 25April 8, 1973. Social Studies: Up Close (Guild Hall exhibition review). (Catalogue). Postmodernist Portraits. Art Journal 46, no. The Conversation, 10 December 2014. http://theconversation.com/getting-up-close-to-the-work-of-chuck-close-at-sydneys-mca-35096, Grant, Daniel. CBC, 4 March 2014. After they arrive, During a violent storm you and your fellow landlubbers have capsized your vessel near an outcropping of small islands. Thats how its supposed to be. We would like to show you a description here but the site wont allow us. The Contemporary Art Masters. An Exhibition of Contemporary Art from Across the Country, Clara M. Eagle Gallery, Murray State University, Kentucky, March 20April 10, 1979. Chuck Close: Prints 19781997, Georg Kargl Gallery, Vienna, September 11October 10, 1998. Battcock, Gregory, ed. Traveled to: National Collection of Fine Arts, Smithsonian Institution, Washington D.C., January 21March 27, 1976. Valys, Phillip. New York: Harper Collins, 1991. Monett, Alexandra. In his final hour, he still maintains You and your heist crew are about to attempt your biggest bank heist yet! Oct 28, 2022 - Politics.The 1919 Volstead Act, named for Minnesota Congressman Andrew Volstead, ushered in the Prohibition Era, forcing cocktailing underground and into speakeasies. Art in America 80, no. New York: Harry N. Abrams, Inc., 1979. Gallery Going: Chuck Close at PaceWildenstein. New York Sun, 19 May 2005: 15, illustrated. Delatiner, Barbara. Spence, Rachel. Your father, A brand new massive remote game specifically designed for large scale team building. Triple Diamond is a sequel of Double Diamond slot, which features 9 paylines with a max coin Amerikanische Zeichnungen und Graphik : von Sol LeWitt bis Bruce Nauman : aus den Bestanden der Graphischen Sammlung des Kunsthauses Zurich. Text by Susan Tallman. Johnson, Ken. Affinities: Chuck Close and Tom Friedman. Art Institute of Chicago Members Magazine (MarchApril 1996): 1314. Dutton & Co., Inc., 1976; illustrated. Traveled to: Edinburgh College of Art, 1976; Kunsthaus Zrich, October 10November 16, 1976; Kunsthalle Baden-Baden, Germany, November 25, 1976January 16, 1977; Graphische Sammlung Albertina Wien, Vienna, January 20February 28, 1977; The Tel Aviv Museum, MayJune, 1977. Anderson, Maxwell L. Preserving the Perishable Art of the Digital Age. The New York Times, 24 September 2000: AR 33. Syracuse, New York: Everson Museum of Art, 1979. National Museum of American Art. Fellman, Bruce. Makin, Jeffrey. Interviews on Art. Q&A with Chuck Close. Interview with Jason Edward Kaufman. Documenting an Outbreak of SelfPresentation. The New York Times, 22 January 1989: H31. Kurtz, Stephan A. Your Museum Transformed. The Arizona Republic, 23 February 2010. Do you have an escape room in the United States? I Am The Enunciator, Thread Waxing Space, New York, January 9February 27, 1993. Marshall, Richard. May, Stephen. The Art of the Blues. Yale Alumni Magazine 56, no. 1 (5 September 1995). Chuck Close in Close-Up. Harpers Bazaar (February 1998): 184189. New York: Anchor Books Doubleday, 1989. Latter-day tapestries: 3. Cavaliere, Barbara. The Painter Speaks: Artists Discuss Their Experiences and Careers. (Catalogue). I've Got A Little List. Sunday Telegraph, 29 June 1980. Warrum, Richard L. Painting and Sculpture Today, 1972 (exhibition catalogue). Princeton University Art Museum: Handbook of the Collections. Chuck Close: Prints, Virginia Lynch Gallery, Tiverton, Rhode Island, September 27October 25, 1998. Text by Robert Rosenblum. Art, Chuck Close: Portraits. Vogue (January 1981): 27, 30. Match the Artists With Their Childhood Art: Round Four. T: The New York Times Style Magazine, 8 October 2015. http://www.nytimes.com/interactive/2015/10/08/t-magazine/childhood-art-quiz-round-four.html, Holmes, Jessica. The Museum of Drawers. The Painter and the Photograph: From Delacroix to Warhol. Canaday, John. Chuck Close: Portrits sind seine Romane. Arte das Kunstmagazin (Germany), no. Triumph Der Malerei. Ausstellungen, 13 May 1994: 14. New York: Pace Gallery, 2012. Schmerler, Sarah. Malcolm, Daniel R. Pring Project by Chuck Close. The Print Collectors Newsletter 23 (November 1993December 1994): 178. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Beyond the meats, Butcher & The Boar also places top priority on using locally sourced ingredients and even grows a ton of their own produce on the roof of the restaurant! 1 (January 1996): 8081. Lascault, Gilbert. Billeter, Erika, ed. The Week, 11 March 2013. http://www.theweek.co.uk/, Close, Chuck. Oakland, California: Magnolia Editions, 2009: 12, 3046, illustrated. Tallahassee, Florida: Florida State University Gallery and Museum, 1990. Grant, Daniel. Wasserman, Emily. (Catalogue). 11, 12 February 1970: 16, 18. 34 (March/April 1976): 1427. (Catalogue), American Painting of the 1970s, Albright-Knox Gallery, Buffalo, New York, December 9, 1978January 14, 1979. Chuck Close: Recent Work (exhibition catalogue). Armstrong, Thomas N., III. Serota, Nicholas, Sandy Nairne and Adam Weinberg. Hogrefe, Jeffrey. Brubach, Holly, and Veerle Windels. Christy, George. A Curators Curiosity. The New York Times, 3 June 1979: 27, 30. 10 (December 1994): cover, 124129. Rose, Barbara. View Location Get Directions. Seven Photorealists from New York Collections, Solomon R. Guggenheim Museum, New York, October 6November 8, 1981. Derrington, Andrew. Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 28August 30, 1985. Philadelphia: Philadelphia Museum of Art, 1978. Wilk, Deborah. A Decade of Giving: The Apollo Society, The Toledo Museum of Art, September 8December 1, 1996. (Catalogue). Editor's Note: The Commodore Bar & Restaurant is currently only available for private events and venue rentals. Van Wyck, Bronson. View Location Get Directions. (Catalogues), Chuck Close: Self-Portrait/Scribble/Etching Portfolio, 2000, Picker Art Gallery, Colgate University, Hamilton, New York, August 24November 4, 2007. Life Work. The New Yorker 71, no. Visit Website. Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, May 28July 31, 1988. MFA Show Contrasts Photographic Works of the Past, Present. Houston, 13 December 1991: E1, E5. Fibre Optics. Financial Times, 28 June 2013: 4, illustrated. Washington, D.C.: Smithsonian Institution Scholarly Press, 2009: illustrated. Osaka, Japan: Nakanoshima Museum of Art, 2022: 161, illustrated. Butcher & The Boar, 901 N 3rd St Suite 195, Minneapolis, MN 55401, USA, Als Breakfast proves that you dont need to be fancy to serve great food. Retrospective: Talking Pictures. New York Magazine, 2 March 1998: 78. Rencontres dArles, France, July 4September 4, 2011. Delavaux, Cline. The Body in Winter. Art News 111, no. At The Galleries. East Hampton Star, 9 April 1992: section II: 7. A Century of American Printmaking 1880-1980. Chicago: Beatrice Cummings Mayer, 2011: 146, illustrated. American Art Today: The Portrait (exhibition catalogue). Art of Our Time, The Saatchi Collection, Vol. American Portraits: Treasures from the Parish Art Museum. Parish Art Museum: News (Fall 2011): 67, illustrated. Prints, Multiples, Monotypes, Works on Paper (exhibition catalogue). Adventures in Art: 40 Years at Pace. Text by Salvador Dali. Its hard not to love a fantastically tasty spot with a mission to make the world a better place! Baldwin, Roger. Five kids are detained by The Woman in White. She takes the children to a secret deten All that glitters is not goldadventurers were attracted to El Dorado for hundreds of years, but most of them have gone crazy in the search. La nouvelle coqueluche: lhyperralisme. LExpress (Paris), 30 October 1972. Seoul: Seoul International Art Festival, National Museum of Contemporary Art, 1995. Image World: Art and Media Culture (exhibition catalogue). Interview with Martin Friedman. (Catalogue). Web version: https://www.nytimes.com/2021/12/27/opinion/chuck-close-artist.html. Then, less than week into the new job, she disappeared! The 20th Anniversary: Fuji Television Gallery 19701990 (exhibition catalogue). Jean-Olivier Hucleux, Chuck Close, les ralits improbables. Art Press, no. Text by Thomas M. Messer. London: White Cube, 2007. St. Paul, Minnesota: Minnesota Museum of Art, 1977: illustrated. Vienna: Springer-Verlag, 2001. 3, 17 January 1977: 77. Anfam, David. Beyond the Borders: The First International Kwangju Biennale: International Exhibition of Contemporary Art (exhibition catalogue). Schama, Simon. Hoban, Phoebe. Rosen, Miss. Karmel, Pepe. Johnson, Kathryn C., ed. (Catalogue). Its delicious. He participated in his first New York exhibition in 1970 at Bykert Gallery alongside Lynda Benglis and Richard Van Buren. Why Artist Persist in Self-Portraits. Washington Star (1980): D1, D4. Text by R. Abrahams and others. New York: The Museum of Modern Art, 1976. Kramer, Hilton. Travelled to: Wilshire May Company Building, Los Angeles, January 11May 1, 2014. Chuck Close and Crown Point Press: Prints and Processes, M.H. American SuperRealism from the Morton G. Neumann Family Collection (exhibition catalogue). Traveled to: The Minneapolis Institute of Arts, June 30September 15, 1996; Museum of Fine Arts, Boston, March 14June 9, 1996, San Diego Museum of Art, October 13January 5, 1997, Center for the Fine Arts, Miami, March 13May 25, 1997. Kennedy, Christina, ed. Where Blurred Focus Makes Sharp Statements. The New York Times, 20 December 1987: 39, 42. Englewood Cliffs, New Jersey: Prentice Hall, 1985: illustrated. Structured Vision: Collage and Sequential Photography (exhibition catalogue). MinneapolisSaint Paul is a metropolitan area in the Upper Midwestern United States centered around the confluence of the Mississippi, Minnesota and St. Croix rivers in the U.S. state of Minnesota.It is commonly known as the Twin Cities after the area's two largest cities, Minneapolis and Saint Paul.Minnesotans often refer to the two together (or the seven-county metro area Contemporary Drawing/New York (exhibition catalogue). Detroit The Barber has been recognized as one of the best barber shops in the Houston area for 4 years in a row by Expertise.com As seen on: Book Now Read More Detroit offers a cutting edge, custom non-surgical hair replacement system for both men and women. Guercio, Antonio del. Canaday, John. Who Are the Most Underrated and Overrated Artists? Art News (February 1994): 110115. KASSEL Documenta-Geschichten, Mrchen und Mythen. 1963, Yale University School of Art and Architecture, New Haven, B.F.A. Chuck Close: Recent Work, The Pace Gallery, 32 East 57th Street, New York, February 25March 26, 1983. Smecchia, Muni de. Prop 30 is supported by a coalition including CalFire Firefighters, the American Lung Association, environmental organizations, electrical workers and businesses that want to improve Californias air quality by fighting and preventing wildfires and reducing air pollution from vehicles. Chuck Close: Matrix/Berkeley 50, University Art Museum, Berkeley, California, March 3May 5, 1982. Feaver, William. Solve the puzzles to uncover the unholy happenings in your town before After three years of non-stop investigation into a series of murders by a serial killer, the situation has reached a breaking point. Kimmelman, Michael. Escape games require teamwork. Beuys will be Beuys, Beckmann is Beckmann. The Village Voice, 28 April 1975: 9899, 102. Wilson, Janet. New York: Phaidon Press, 1995: illustrated. Art Since Pop. Wolmer, Denise. Bykert Gallery, New York exhibit. Arts Magazine 48 (December 1973): 60. Contemporary Woodblock Prints from Crown Point Press (exhibition catalogue). Waltham, Massachusetts: Brandeis University, 2005: 19, illustrated. Chuck Close: Polaroids, Galerie Xippas, Paris, April 10May 22, 2010. Subjective Vision. Schuster, Angela M.H. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Buffalo: Albright-Knox Art Gallery, 1999: 280281, illustrated. New York: E.P. 21 (23 May 1983): 3035. Arts: Another Record Week? The New York Sun, 13 November 2006: illustrated. Twardy, Chuck. Tallmer, Jerry. Chuck Close. Santa Fean (May 2000): 77. Geneva: Editions d'Art Albert Skira, 1978. Matsumura, Toshio. Photorealism: Beginnings to Today, New Orleans Museum of Art, November 2014January 2015. Lyons, Lisa and Robert Storr. Barkley L. Hendricks: Birth of the Cool (exhibition catalogue). SmithKline & French Research and Development Art Collection. Gilmour, Pat. (Catalogue). Krisel, Brendan. Perreault, John. New York: Princeton Architectural Press, 2012: 78, illustrated. Honisch, Dieter and Jens Christian Jensen. Larson, Kay. Alex Katz: Quick Light (exhibition catalogue). In the warmer months, the outdoor beer garden is a fantastic spot to enjoy one of the unique sausages with buddies and Butcher & The Boars other specialty: bourbon. 3 (November 1995): 9, 31, 34. 2 (Winter 19761977): 143. Signs of the Self: Changing Perceptions (exhibition catalogue). Ruzicka, Joseph. Tricks & Humor (exhibition catalogue). ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria, October 6December 16, 2001. New York: Whitney Museum of American Art, 2008. Text by Garry Metz. Fiches: Chuck Close. Opus International, no. Seventy-second American Exhibition (exhibition catalogue). The Wall Street Journal, 16 April 2013: A19, illustrated. One of the most fun restaurants near Minneapolis, youll find plenty of games to play while you wait on your food, as well as enjoy mesmerizing waterfront views of the lake. ARTODAY. Late Twentieth Century Art From the Sydney and Frances Lewis Foundation (exhibition catalogue). Realism of Low Resolution. Apollo (London) 144 (November 1996): 38. 9 (June 1974): 2429. Hoban, Phoebe. Doswald, Chrisoph. Transfiguration of a Masterpiece. Review, 28 March 1982: 1314. The Grand Museum Tour. New York Newsday, 3 May 1991: 8485, 100. 7 (February 1996): 8689, 112113. 54 (November 1993): 7880. Perspectives: Eric Fischl's Provocative Images Lack Substance. Southampton Press, 18 July 1991: B6. Glueck, Grace. Washington, D.C.: National Gallery of Art, 1991: illustrated. New York: Harcourt Brace College Publishers, Inc., 1996. The Independent, 9 March 2013. http://www.independent.co.uk/arts-entertainment/art/reviews/charles-darwent-on-art-chuck-close-prints-process-and-collaboration-8527779.html, Exhibit Features Art Work by Roosevelt School Students (The Housatonic Museum of Art exhibition review). Washington, D.C.: Graphics International Ltd., 1972. Hayt-Atkins, Elizabeth. Carucci, Beniamino, ed. Close, Fischl Attract Flock. Southampton Press, 20 June 1991: B1, B6. New York Commentary. Studio International 183, no. Barringer, Felicity. Tracing the Grid: The Grid in Art after 1945 (exhibition catalogue). The Italian study highlighted the fact that virtual avatars can act as interactive agents in motivating these patients. Close Encounters. Art in America 68, no. 42 (June 1974): 29. Chuck Close: Die Nahe des rechtigen Moments. Kleine Zeitlung (Austria) (July 1994). Contemporary Artists. Self-Portrait Today, The Museum of Modern Art, Saitama, Japan, 1985. Kramer, Hilton. Gilmour, Pat. Taylor, Robert. Aachen, West Germany: The Neue Gallery, 1977. New York: Craig F. Starr Gallery, 2010. A New Home for Art on the East End: Parris Art Museum Moves to Water Mill. Long Island Pulse Magazine, 28 October 2012. http://www.lipulse.com/art-music/article/a-new-home-for-art-on-the-east-end/#When:13:51:19Z, Lipsky-Karasz, Elisa. Deichtorhallen, Hamburg, February 14May 11, 1997. Face Value: Parrish Show Asks What is a Portrait? Southampton Press, 20 July 1995: B1, 9. Schneckenburger, Martin. Anzelowitz-Tanner, Lois. It was around 7 pm just before dinner. Seattle: Seattle Office of Arts & Cultural Affairs, 2011. Schwartz, Sanford. New York Letter. Art International 16, no. Bayliss, Sarah. 19. Lyon, France: ELAC, 1993: illustrated. Larson, Kay. Triple Diamond is a sequel of Double Diamond slot, which features 9 paylines with a max coin Joe Wilfer Remembered, Chuck Close, Mary Heilmann, Alan Shields, Dieu Donne Papermill, New York, September 28November 2, 1996. Sarajas-Korte, Salme. On the History of Cool, A Show Is Hip to America. The New York Times, 17 August 1997: 35. Chuck Close at Pace Gallery and Pace Prints. Artforum 27 (January 1989): 110. Of course, there are any number of online tools that allow employees to keep in touch. New York: A.R.T. (Catalogue), Autoportrait contemporains: Here's Looking at Me, Espace Lyonnais D'Art Contemporain, Lyon, January 29April 30, 1993. Artists Exposed. 50 Modern Artists You Should Know. Focus: Chuck Close Editioned Works, Museum of Modern Art, New York, February 26May 26, 1998. The New York Times, 8 December 1995: C28, illustrated. Face Time, Barbara Krakow Gallery, Boston, October 22December 3, 2011. They have some truly unique combinations, including the Thailand Island (roasted chicken, pineapple, Thai chili, green pepper, and pickled carrots with spicy peanut sauce) and the Riviera (sausage, herbed goat cheese, and balsamic onion with Pinot Grigio garlic sauce). Pozzi, Lucio. (Catalogue). The Super-Realist Vision (exhibition catalogue). Sunward, Justin. The New York Photo Review, 11 March 2014. http://www.nyphotoreview.com/NYPR_REVS/NYPR_REV3700.html, Che, Jenny. Ward, Frazer. 4 (November 1992): 104109. SELF: Portraits of Artists in Their Absence, National Academy Museum, New York, January 29May 3, 2015. New Haven, Connecticut: Yale University Press, 1998. Schwendener, Martha. Aldo Crommelynck, Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York, August 3November 7, 1988. Betty Danger's Country Club, 2501 Marshall St NE, Minneapolis, MN 55418, USA. MacAdam. Exhibition Review: Chuck Close Process & Collaboration at White Cube. The Upcoming, 8 March 2013. http://www.theupcoming.co.uk/2013/03/08/exhibition-review-chuck-close-process-collaboration, Boros, Phyllis A. S. Bridgeport Youth Spend Day with Artist. Ctpost.com, 14 May 2013. http://www.ctpost.com/local/article/Bridgeport-youth-spend-day-with-artist-4512743.php, Boros, Phyllis A. S. Bruce Museum Takes a Closer Look at Popular Artist (exhibition review). Mirroring the Merits of a Showing of Photorealism. Chicago Tribune, 24 October 1976. Chuck Close: Self-Portraits, Martin Weinstein Gallery, Minneapolis, March 13April 11, 1998. Traveled to: Sogo Museum of Art, Yokohama, January 29February 16, 1992; Tokushima Modern Art Museum , Tokushima, February 22March 29, 1992; The Museum of Modern Art, Shiga, April 4May 17, 1992; Kochi Prefecture Museum of Folk Art, May 23June 17, 1992. Today, the hotel is still in operation, with rooms that have a distinct Old Hollywood feel to them. Revised by Duane A. Wakeham. The Monopoly of Appearances. Flash Art (February/March 1987): 98100. Russell, John. Chuck Closes Many Faces. Washington Post, 4 December 1998: 70. 20 x 20+. Bookforum 21, no. (Catalogue), Made In America: Ten Centuries of American Art, Dayton Hudson Gallery, The Minneapolis Institute of Arts, February 5April 30, 1995; The Nelson-Atkins Museum of Art, Kansas City, March 17May 19, 1995; The Saint Louis Art Museum, 1995; The Toledo Museum of Art, 1995; The Carnegie Museum of Art, Pittsburgh, July 13September 22, 1995 (Catalogue). The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection (exhibition catalogue). Orson, Diane. Zurich and Ostfildern, Germany: Kunsthaus Zrich ; Cantz, 1994: 155, illustrated. East Hampton, New York: Guild Hall of East Hampton, 1991: illustrated. 3 (March 2009): 52+, illustrated. Big and Small, Israel Museum, Jerusalem, May 1June 1, 1986. Pluralistic and Perky. The Wall Street Journal, 22 May 1991: A12. Darwent, Charles. Tapestries, Sullivan-Goss, Santa Barbara, California, July 15August 30, 2006. Time Out New York, 2128 December 2002: 93. Chuck Close: Retrospektive, Staatliche Kunsthalle, Baden-Baden, April 10June 22, 1994. Chuck Close Drawings, 19741986, The Pace Gallery, 32 East 57th Street, New York, June 19July 24, 1987. Texts by Lisa Lyons and Martin Friedman. Close Portraits (The Whitney Museum of American Art). Art News 80, no. Faculty Choice (exhibition catalogue). Traveled to: PaceWildenstein, 142 Greene Street, New York, December 2, 1995January 6, 1996. Reviews: Chuck Close at Pace. Arts Magazine 57, no. Telegrams: USA. Galeries Magazine (April/May 1991): 23. Traveled to: Detroit Institute of Arts, July 30September 19, 1976. The Making of a Retrospective. Art News (April 1998): cover, 142147. Voice Choices: Chuck Close. The Village Voice, 3 March 1998: 6970. Bard, Ellin A. How Psychedelic Consciousness Transformed Modern Art. Group exhibition, The Pace Gallery, 32 Easy 57th Street, New York, June 27August 31, 1983. London: Laurence King Publishing, 2022: 180181, illustrated. Terre Haute, Indiana: Turman Gallery, Indiana State University, 1984: illustrated. Arthur, John. Kramer, Hilton. Reckoning With the Monumentaland DamagedLegacy of Chuck Close. Vogue, 24 August 2021. https://www.vogue.com/article/chuck-close-artist-curator-legacy, Davis-Marks, Isis. (Catalogue), Artists Photographs, SVC/Fine Arts Gallery, University of South Florida, Tampa, November 7, 1981January 6, 1982. Worcester, Massachusetts: Worcester Art Museum, 2019: no.2, p.83, illustrated. 7 (May 1970): 4447. New Yorks Richest Artists: Cindy Sherman, Chuck Close and More. New York Observer, 15 December 2014. http://observer.com/2014/12/new-yorks-richest-artists-cindy-sherman-chuck-close-and-more/, Smith, Krista. Mathey, Francois. Philip Glass: First Classics, 19681969. Art: The Face of Reality. Houston Post, 14 August 1975: 8B. New York: CBS College Publishing, 1984. (Catalogue), American Drawings 192777, Minnesota Museum of Art, Saint Paul, September 6October 29, 1977. (Catalogue), Chuck Close: Recent Paintings, PaceWildenstein, 534 West 25th Street, New York, May 10June 18, 2005. Harris, Lyle Ashton. Chronicle. The New York Times, 11 March 1991: B11. The pastries are something that is best appreciated in person after devouring five of them and struggling to decide on a sixth. Hoffman, Katherine. (Catalogue), Out of Hand: Materializing the Postdigital, Museum of Arts and Design, New York, October 15, 2013July 6, 2014. Art Talk: Close Encounters. Art News 104 (Summer 2005): 45, illustrated. Photography: History of an Art. Davidson Collects: 100 Writers Respond to Art. Large Scale Works on Paper (exhibition catalogue). Art Actuel/Skira Annuel 75: Skira Annuel No. Atlanta Collects: Contemporary Art Treasures from Atlantas Private Collectors, The Breman Museum, Atlanta, March 13June 11, 2017. The cold war is at a turning point but suddenly an agent deserts and runs off taking a nuclear bomb with him. Morrin, Peter and Eric Zafran. (Catalogue), Aspects of Realism/Aspects du Realisme, Gallery Stratford, Ontario, June 8September 5, 1976. Arthur, John. Der Welt (m)eine Ordnung geben. Yuan, Jada. Aspects of the 70s: Directions in Realism, Danforth Museum, Framingham, Massachusetts, May 17August 24, 1980. Dayton, Ohio: The Dayton Art Institute, 1982. Traveled to: Kunsthaus, Zurich, June 18September 7, 1997. Kunstbleibt Kunst. Projekt 74, Series 14 (1973): 162165. Introduction by Shamim M. Momin. Chuck Close: 'It's Always Nice to Have Resistance'. Art News 93, no. Davis, Jeff. New York: Lapp Princess Press, Ltd. 1979: illustrated. Chicago: Smart Museum of Art, the University of Chicago, 2016: 217, illustrated. Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, Flushing Meadows, New York, May 23October 1, 2000. London: Thames & Hudson, 2015: 1819, illustrated. Galactic Pizza, 2917 Lyndale Ave S, Minneapolis, MN 55408, USA, This list wouldnt be complete without including. Ebony, David. Traveled to: Schneider Museum of Art, Southern Oregon University, June 19September 5, 2015. 48, 26 November 1991. (Catalogue). Traveled to: Joslyn Art Museum, Omaha, January 28March 19, 1995; Weatherspoon Art Gallery, University of North Carolina, Greensboro, April 9May 28, 1995. Under Pressure: Prints from Two Palms (organized by Alexandra Muse, Seattle and Pamela Auchincloss/Arts Management, New York), Lyman Allyn Museum of Art at Connecticut College, New London, February 2April 1, 2001. Chuck Close: Recent Works (exhibition catalogue). Katz, Vincent. Gabay, Neil. 3 (JulyAugust 1978): 6973. Muchnic, Suzanne. Chuck Close, Akron Art Museum, Ohio, March 31May 6, 1973. Gardiner's Art Through the Ages. Painting a controversy. The Advocate and Greenwich Time, 15 December 1991: D1, D4. Westerbeck, Colin. Genauer, Emily. Probably one of the most popular of these is the conference app Zoom. Cummings, Paul. Schloske, Werner. Piper, David, ed. Posterity Dept. Luard, Honey, and Elaine Tam, ed. The theme here runs deeper than just the presentation; Galactic Pizza was created with a specific vision for a positive future, including the use of organic, sustainably-grown, local ingredients, recyclable and biodegradable packaging, and donating 5% of profits to charity. This Friday, were taking a look at Microsoft and Sonys increasingly bitter feud over Call of Duty and whether U.K. regulators are leaning toward torpedoing the Activision Blizzard deal. Tallman, Susan. New York: Abbeville Press, 1986: illustrated. 2, 20 October17 November 1979: 4. Dallas: Meadows Museum, Southern Methodist University, 2011: 52, illustrated. Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, February 1May 18, 2014. Meg Archer is a Portland, Oregon-based Editor & Social Media Manager with degrees in English/Creative Writing from Cal Poly-San Luis Obispo and Social Psychology from Portland State University. Schrader, Christopher. Chuck Close: The Magnolia Tapestry Project. Art: Portraiture by 31 Painters. The New York Times, 25 January 1975. Michel, Jacques. Pogue, Dwight W. Printmaking Revolution: New Advancements in Technology, Safety, and Sustainability. Hungary: Ludwig Museum Budapest Museum of Contemporary Art, 2009: illustrated. New York: Art Works/The Education Project, 1993. New York: Whitney Museum of American Art, 1989: illustrated. Chuck Close: Large Scale Photographs, Fraenkel Gallery, San Francisco, June 26July 27, 1985. Text by Louis A. Zona. Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994. Kimmelman, Michael. Chuck Close: Selected Paintings and Tapestries 20052009 (exhibition catalogue). Artist and the Face; A Modern American Sampling. Art in America 63, no. The 50 Most Powerful People in the Art World. Art News 96, no.1 (January 1997): 9097. Emanuel, Muriel, et al, eds. Chuck Close at MoMA. Flash Art (January/February 1998): 45. New York: Harcourt, Brace and Jovanovich, 1978. Accent on Paper: 15 Years at Dieu Donn Papermill, Lintas: Worldwide, New York, October 2, 1991January 10, 1992. Close to You (PaceWildenstein exhibition review). 5, 27 January 1984: 6264, 66. Chuck Close Retrospektive. Karlsruhe (April 1994). Text by Hubert Beck and Gnter Engelhard. Grishin, Sasha. Pakesch, Peter, ed. Traveled to: Laguna Gloria Art Museum, Austin, December 2, 1989January 21, 1990; Baltimore Museum of Art, February 25April 2; Neuberger Museum, State University of New York, Purchase, June 27September 23, 1990. New Portraits Behind Faces, Dayton Art Institute, Ohio, October 19, 1982February 6, 1983. Vanity Fair, 7 March 2014. http://www.vanityfair.com/online/daily/2014/03/culture-list-chuck-close-nudes-whitney-biennial?mbid=social_twitter, Boot, William. Lucie-Smith, Edward. 1 (1999): 7477. Mora, Vivian-Sofia. Art Lab: One Collection, 13 Curators, Selections from the Rivendell Collection of Late 20th Century Art, Center for Curatorial Studies Bard College, Annadale-on-Hudson, New York, February 823, 1997. Reviews: New YorkLogical Conclusions, PaceWildenstein (exhibition review). Whats the Hurry. Art + Auction (November 1998): 4449. Honan, William H. Through Loophole in Tax Law, Art Gifts Pour Into Museums. The New York Times, 12 December 1991: C15, 19. Close Together. The New York Observer, 3 April 2000: illustrated. Steele, Mike. (Catalogue) Aspects of Realism/Aspects du Realisme, Gallery Stratford, Ontario, June 8September 5, 1976. Traveled to: New Orleans Museum of Art, November 10, 2012January 27, 2013; Museum of Contemporary Art, San Diego, February 24May 26, 2013; The Blanton Museum of Art, Austin, June 23September 29, 2013. 2nd ed. Moss, Rebecca. 7 Bonus $3000 PLAY NOW 8 Bonus $2500 + 100 Free Spins PLAY NOW IGT Triple Diamond slot machine is a payout jackpot-contained, classic 3 reel slot machine from IGT. No excuses, beat the distance and get closer to each other! Diamonstein, Barbaralee. Chuck Close, celebrated creator of pixelated portraits, dies at 81. The Washington Post, 19 August 2021. https://www.washingtonpost.com/local/obituaries/chuck-close-dead/2021/08/19/35295436-30aa-11ea-91fd-82d4e04a3fac_story.html, Greenberger, Alex. Orlando, Florida: Harcourt Brace Jovanovich College Publishers, 1993. 82 (January 2003): 5660, illustrated. 30 YEARSArt in the Present Tense: The Aldrich's Curatorial History 19641994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15September 17, 1994. New York: E.P. Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5April 10, 1994; Santa Monica Museum of Art, July 7September 5, 1994; Forum for Contemporary Art, St. Louis, September 30November 12, 1994; America Center, Paris, December 1994January 1995. Chase, Linda. Johnson, Ken. Gardner, Paul. Peinture et Photographie. 255 (March 2014): illustrated. Made in the 60's: Painting and Sculpture From the Permanent Collection of the Whitney, Whitney Museum of American Art, Downtown Branch at Federal Reserve Plaza, New York, 1988. Portraits: Talking with Artists at the Met, The Modern, The Louvre and Elsewhere. Reserve now at top Detroit restaurants, read reviews, explore menus & photos. Forgey, Benjamin. Artschwager: His Peers and Persuasion 19631988, Daniel Weinberg Gallery, Los Angeles, 1988. "Sinc Artforum.com, 14 May 20013. http://www.artforum.com/picks/section=nyc#picks40774. Loos, Ted. Nestled along the beautiful Lake Minnetonka, you can arrive by car or even dock your boat right outside of this Maynards and head on in. Bass, Ruth. When you select your local bookstore on the map above and visit their Bookshop page, we place a cookie in your browser that identifies you as that store's customer, and the store will get the full profit from all your Bookshop purchases (30% of the book's list price). See the Art and Read the Book. The New York Times, 1 March 1998: 6, 9. Smith, Paul A. The Man Who Measures Fame. Vision (June 1981): 4144. Recent American Etching, Davison Art Center, Wesleyan University Art Center, Middletown, Connecticut, October 10November 23, 1975. Minneapolis, Minnesota: Walker Art Center, 2005: 25, 161163. Smith, Roberta. BibMe Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard New York: Thames and Hudson, 1984: illustrated. Buzz Bets, New Kid in Town. Buzz (September 1995): 24. Text by Helen Ferrulli. Dellinger, Jade R. Chuck Close. Printmaking Today 4 (Spring 1995): 1314. Paper Transformed: A National Exhibition of Paper Art (exhibition catalogue). Peers, Alexandra. Padua, Italy: CLEUP Ed., 2004: 206207,illustrated. 1939 (December 1973): 56. Apr 26, Xperience Barbers LLC is a small business in Detroit Lakes, MN. 20 Artists: Yale School of Art 19501970, Yale University Art Gallery, New Haven, Connecticut, January 29March 29, 1981. Newhall, Edith. Hello, and welcome to Protocol Entertainment, your guide to the business of the gaming and media industries. (Catalogue), Julian Opie: Collected Works/Works Collected, Newlands House Gallery, Petworth, United Kingdom, November 6, 2021March 6, 2022. Michael, Glover. Post-High and Low: New Exhibitions at the MOMA. Flash Art (March/April 1991): 154. Favorite Paintings from the Minneapolis Institute of Arts. (Catalogue). Gassiot-Talabor, Gerald. Chuck Close, Pace (exhibition review). Art Conceptuel et Hyperrealiste, Ludwig Collection, Muse d'Art Moderne de la Ville de Paris, 1973. Artner, Alan G., Work Ethic: Linking Chuck Close and Tom Friedman on the basis of effort. Chicago Tribune, 3 May 1996: Section 7: 58. Diamonstein, Barbaralee. New York: Harry N. Abrams, Inc., 1990. Weinsteins Close Show a Standout. Minneapolis Star Tribune, 27 March 1998: E4. Nemser, Cindy. Chuck Close (exhibition catalogue). The Realist Criminal and the Abstract Law. Art in America 61 (September/October 1973): 5461. 525 (August 1973): 913. New York: Whitney Museum of American Art at Equitable Center, 1988: illustrated. Realism is Simply Super. The Minneapolis Tribune, 1 February 1970. Was she taken? Chuck Close: Recent Works. The New York Times, 27 December 2002: E46. Harvey, Steven, Michael Krondl, Tennyson Schad and Paul Villinski. Greenwood, Michael. Translated by Stanley N. Anderson. Up Close with Richard and Philip and Nancy and Klaus. New York 10, no. Text by Elizabeth Broun and William Kloss. Chuck Close Looking Behind the Scenes (Orange County Museum of Art exhibition review). Spear, Marilyn W. Three Realists Showing at Museum. Worcester Telegram, 27 February 1974: 12. 9 (May 1984): 5055. Yankov, Edmund and Andy Grundberg. Groer Akt der Freheit. (Catalogue), Faculty Choice, University at Albany, State University of New York, Albany, New York, January 20February 18, 1979. Mendelowitz, Daniel. Self-Portrait (exhibition catalogue). 5th ed. Turin: Galleria Civica d'Arte Moderna, 1973. Gopnik, Adam. Chuck Close Ritratti, American Academy in Rome, February 22April 21, 2002. Chuck Close: Editions, University Art Museum, University of Southwestern Louisiana, Lafayette, September 7October 24, 1991. Text by Richard Shiff. Garver, Thomas H., Warrinton Colescott, and Gordon Scott. Artist Chuck Close: I Wanted to Make Images That Knock Your Socks Off! The New York Times, 10 June 1981: C26. Fischer, Konrad, Jurgen Harten, and Han Strelow. London: Hyperrealismes USA, 19651975 (exhibition catalogue). 9 (November 1981): 189. Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, JuneNovember 1994. Late Twentieth-Century Art: From the Sydney and Frances Lewis Foundation. Art Against the Deal. Daily News, 2 December 1989: 13. L'Iperrealismo: Il Vero Piu Vero Del Vero. Traveled to: John Stoller Gallery, Minneapolis, OctoberNovember 1982; Jacksonville Art Museum, Florida, December 9, 1982January 23, 1983; Greenberg Gallery, St. Louis, September 10October 15, 1983. Abraham, Bryin. Gallery Party Leaves Em All Out on the Streets. Los Angeles Times, 2 October 1995. Chuck Close. Flash Art, no. American Portraits: Treasures from the Parrish Art Museum, Parrish Art Museum, Southampton, New York October 16November 27, 2011. Painting of 70s Exhibit Has Variety. Courier-Express, 9 December 1978. Herozine.com, 7 March 2013. http://www.hero-zine.com/, Woodward, Richard B. 2 (October 1997): 2021. Chuck Close: Philip Glass, 40 Years (exhibition brochure). 2 (March 1994): 2324. Witt, Linda. Twenty-five Artists. 17, 27 April 1981: 60. (Catalogue), Kunst um 1970Art Around 1970, Neue Galerie, Aachen, West Germany, June 1972. Museums and Galleries: It's Done with Mirrors. New York 3, no. Edited by Judy Bloch and Suzanne Stein. People Who Are People, Barbara Krakow Gallery, Boston, January 17March 4, 2009. Japan: Hekinan City Tatsukichi Fujii Museum of Contemporary Art, 2010: 45, illustrated. The Close Web. Art News (May 1998): 100. Yablonsky, Linda. Milwaukee, Wisconsin: Milwaukee Art Museum, 1995. The Human Figure in Contemporary American Art (exhibition catalogue). 1 (11 January 1990): 13. Chuck Close's Break with Photography. The New York Times, 19 April 1981: D29, D32. Texts by Robert Storr, Klaus Kertess, and Richard Shiff. Der Kunst auf der Spur: Sie lften das Geheimnis der Fantasie und Erklren sthetik: Wissenschaftler bezeichnen Kunst als Instrument der Hirnforschung. Facts Das SchweizerNachrichtenmagazin, 26 August 1999: 114118. Halle, Howard. A Blue-Chip Gallery Sees Blue Skies in L.A. Los Angeles Times, 13 August 1995: 53 and 56. Traveled to: Flint Institute of Arts, Michigan, July 28September 7, 1986; Rhode Island School of Design, Providence, September 29November 9, 1986; Museum of Art, Carnegie Institute, Pittsburgh, December 1, 1986January 11, 1987; Walker Art Center, Minneapolis, February 1March 22, 1987. Home is Where the Art Is. Eastside Week, 10 June 1992: 27. Group exhibition, Palazzo Reale, Milan, Italy, 1974. Blind Handshake: David Humphrey Art Writing + Art 19902008. Giridharadas, Anand. (Catalogue). Die Kasseler She-Schule: Ein Warenhaus fur Wirklichkeit mit Selbstbedienung. Der Stern, no. Hirsch, Faye. Twentieth-Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building (exhibition catalogue). Art News 95, no. Chuck Close, Artist Mutineer. New York Magazine, 20 August 2021. https://www.vulture.com/2021/08/remembering-chuck-close-the-artist-who-changed-portraiture.html, Searle, Adrian. Weinberg, Adam D. Aldo Crommelynck Master Prints with American Artists (exhibition catalogue). Under Pressure: Prints from Two Palms (exhibition catalogue). Realistically speaking The Village Voice, 14 December 1972: 36. Chuck Close: The Photographic Works (exhibition catalogue). Two New Museums Open. Flash Art (October 1994): 33. Farrell, Jennifer, ed. Multi Panel, Pace/MacGill Gallery, New York, March 27May 29, 2014. London: Black Dog Publishing, 2013: 228229, illustrated. 16391 Sierra Lakes Parkway Suite 120 Fontana, CA 92336. 221. Traveled to: Miami Art Museum, February 9June 3, 2007; Weatherspoon Art Museum, The University of North Carolina, Greensboro, September 9, 2007January 18, 2008; Austin Museum of Art, May 24August 17, 2008. Painting and Sculpture from the Collection, The Saint Louis Art Museum, June 29September 16, 2001. Feldman, Edmund Burke. 1977 Biennial Exhibition (exhibition catalogue). Artlyst.com, 5 March 2013. http://www.artlyst.com/, Pill, Steve. (Catalogue), Contemporary Woodblock Prints from Crown Point Press, Edison Community College, Fort Meyers, Florida, 1991. Glueck, Grace. Art in Review: 'A Floor in a Building in Brooklyn'. The New York Times, 22 July 1994: C24. >SEHNSUCHT ICH< [Longing for Myself], Essl Museum Kunst der Gegenwart, Vienna, September 27January 12, 2014. New York: Barbaralee Diamonstein and Rizzoli International Publications, 1994: illustrated. OPB, 13 April 2017. Holzwarth, Hans Werner and Laszlo Taschen, eds. 42, 26 October 1981: 9495. The New York Sun, 9 November 2006: 10, illustrated. Marvel, Bill. Differences Can Outweigh Similarities in Photo-Realism. The New York Times, 5 January 1992. A Clean, Well-Lighted Space. Cultural Post, no. Leigh, Christian. Lucie-Smith, Edward. Chicago: Museum of Contemporary Art, 1972. New York Life Style. Oggi (Japan), no. New York: Rizzoli, 2012: illustrated. 1969 Annual Exhibition Contemporary American Painting (exhibition catalogue). Art in Our Times: A Pictorial History 18901980. Beverly Hills-And Beyond. Art + Auction 18, no. Architectural Digest, 23 January 2017. http://www.architecturaldigest.com/story/what-does-chuck-close-have-against-public-art. (Catalogue), Face Value: American Portraits, The Parish Art Museum, Southampton, New York, July 22September 3, 1995. 20th Century American Drawings: Five Years of Acquisitions (exhibition catalogue). New York Reviews: Chuck Close at Pace. Art News 79, no. Las Palmas, Spain: The Centro Atlntico de Arte Moderno-CAAM, 2015. In the Museums. Arts 44, no. Profiles: Chuck Close. Art Economist, no. 4 (December 2014/January 2015): 2931, illustrated. Arts and Ideas: Faces That Were Chosen for Eternity (exhibition review). (Catalogue), Super Realism from the Morton G. Neumann Family Collection, Kalamazoo Institute of the Arts, Michigan, September 1November 1, 1981. Contemporary Voices: Works from the UBS Art Collection (exhibition catalogue). (Catalogue). Navigating the Self. Interview by Siri Engberg. Naves, Mario. Shoemaker, Innis H. Drawings About Drawing Today (exhibition catalogue). Prints and Multiples, Senior & Shopmaker Gallery, New York, February 20March 31, 2001. (Brochure). Zurich: Kunsthaus Zurich and Hamburg: Deichtorhallen Hamburg, 1997: illustrated. Famous in 2112? Art News 106 (November 2007): 202, discussed. Kunst und Median: Materialien sur Documenta 6 (exhibition catalogue). Glueck, Grace. Text by Richard E. Oldenburg and Sam Hunter. Bentonville, Arkansas: Crystal Bridges Museum of American Art, 2011: 12, illustrated. (Catalogue). Aletti, Vince. New York: Praeger Publishers, 1974. New York: SoHo Partnership, 1996: illustrated. The New York Times, 29 May 2015: C21, illustrated. 25 (13 July 1985): 10. 2 (October 1973). Field and Frame: Meyer Shapiro's Semiotics of Painting, New York Studio School, April 7May 13, 1989. The Whitney Returns to Downtown. The New York Times, 16 April 1988: 12. (Catalogue). The Collections: Recent Acquisitions. Hood Museum of Art Quarterly, Summer 2014: 12, illustrated. New York Reviews: Chuck Close. Art News 76, no. Albrecht Drer to Claes Oldenburg: Collecting at the Cornell, 19902010, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, September 17December 1, 2013. Heyman, Marshall. Beijing. Artforum 47, no. Borden, Lizzie. ParisNew York, Muse national d'art moderne, Centre Georges Pompidou, Paris, June 11977. Landes, Jennifer. Rose, Ted. See How Artists Made It Eternal At The Vassar Art Museum (exhibition review). "Sinc (Catalogue). An Interview with Chuck Close. Artforum, 8 January 1970: 5155. Familiar Faces: Chuck Close in Ohio Collections, Akron Art Museum, Ohio, September 5, 2009January 17, 2010. The Roosevelt also offers plenty of food and drink options, from The Spare Room a 1920s speakeasy with a two-lane bowling alley to the Library, where there are no menus, only a wall full of drink ingredients that guests can choose from. A History of Western Art. Cotter, Holland. Back to Beaubourg: A Modern Exposition Palace. The New York Times, 1 July 1979: 1, 25. One of the best burgers in Minneapolis is over at Matts Bar, a local landmark thats been serving the best burgers in town since 1954. 2 (1997): cover, 1823. 2 (Spring 2009): 8084, illustrated. In Los Angeles, The Makings of a Better Mood. The New York Times, 14 January 1996: H37. (Catalogue), Chuck Close: Recent Work, The Pace Gallery, 32 East 57th Street, New York, October 26November 24, 1979. 3 (March 1996): 106109. Face Time: A visit with art-world hero Chuck Close as he gears up for his new fall show. The Village Voice, 1824 July 2012: cover, 1719, illustrated. The Great Life. Hollywood Reporter, 5 October 1995: 23. Wheeler, Daniel. Finch, Christopher. St. Petersburg, Russia: State Hermitage Museum, 2008. Muchnic, Suzanne. New York: St. Martin's Press, 1977: illustrated. Traveled to: Detroit Institute of Arts, July 30September 19, 1976. Up Close and Personal. Saint Paul Pioneer Press, 16 March 199: 8D. He taught painting at the University of Massachusetts, Amherst, where he received his first solo exhibition in 1967. Chuck Close: Recent Works, Bykert Gallery, New York, October 20November 15, 1973. Fischl, Eric and Jerry Saltz, eds. While exploring, just one of t Melinda M. Worthy has a school for magically gifted students. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). New York: The Pace Gallery, 1979: illustrated. Photo-Realist Principles. American Art Review 4, no. Masterworks at the Albright-Knox Art Gallery. Stone, Ellen Elizabeth. First Impressions, Walker Art Center, Minneapolis, June 4September 10, 1989. Cooper, Ashton. Chuck Close, The Museum of Modern Art, New York, February 26May 26, 1998. Cummings, Paul. 31/4 (August 1972): 2, 1011. (Catalogue), Post-War American Art: The Novak/O Doherty Collection, Irish Museum of Modern Art, Dublin, September 7, 2010February 27, 2011. Nude, Naked, Stripped (exhibition catalogue). Hint: Search for a back entrance to a local business named for Muffy's beloved wife.Speakeasy menu - Detroit Lakes MN 56501 - (218) 844-1326 Speakeasy (218) 844-1326 Own this business? (Catalogue). Close, Chuck. Photo Revolution: Andy Warhol to Cindy Sherman (exhibition catalogue). Eye View. Women's Wear Daily, 22 September 1972. Nowhere Else But Here (exhibition catalogue). Kramer, Hilton. (Catalogue). Chuck Close Prints: Process and Collaboration, Blaffer Gallery, University of Houston, September 13November 23, 2003. (A Guide to the Student Union Art Gallery University of Massachusetts Fall 1977) (exhibition catalogue). Close Encounters of an Incredible Kind. Interview (November 1995): 8083. New York: Holt, Rinehart and Winston, 1978: illustrated. Henry, Gerrit. Utrecht: Hedenaaglse Kunst, 1974: illustrated. A.R.T. Chuck Close at PaceWildenstein (exhibition review). Australian National Gallery: An Introduction. Chuck Close: Recent Work, William Shearburn Gallery, Santa Fe, June 6July 1, 2008. Isikoff, Michael. Self/Image: Portraiture from Copley to Close. Calendar (SeptemberDecember 2006): illustrated. London: Laurence King Publishing, 2019: 3637, illustrated. New York: Whitney Museum of American Art, 1979. Collection Platform 2: Circulation, PinchukArtCentre, Kiev, October 29, 2011May 20, 2012. Wasmuth, Ernst. Russell, John. Saehrendt, Christian. Digital Objects: A Retrospective of Chuck Close (exhibition catalogue). The 2014 Vanity Fair Hollywood Portfolio. Vanity Fair, March 2014: 328349, illustrated. Armstrong, Elizabeth. Tatebayashi, Japan: Gunma Museum of Art, 2008. 4 (April 1996): 3940. Marshall, Richard and Robert Mapplethorpe. Hypnotized by Mug Shots That Stare Back: Are They Windows or Mirrors? The New York Times, 27 August 1997: C9, 12. Newhall, Edith. But, actually, Paulie was one of the good guys. Hoelterhoff, Manuela. MacAdam, Barbara. New York: The Museum of Modern Art, 1998. Speaker Series Begins Today at CCP. Arizona Daily Star, 22 September 2006. Seldis, Henry J. Like many establishments of the era, Prohibition closed down the bar in the 1920s, but that didnt stop the basement speakeasy from blooming into a spot celebrated by flappers and mobsters alike. Muffy's Basement is a speakeasy-style bar hidden in downtown Buffalo, Minnesota on Central Avenue. 1 (January 1973): 2628. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida, National Gallery of Art, Washington, D.C., September 15, 1991January 5, 1992. (Catalogue), The Face, Arkansas Arts Center, Little Rock, December 1, 1988January 6, 1989. Shaman, Sanford Sivitz. Farley, Todd. Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, September 20December 15, 2019. (translated from the German by Wesley V. Blomster). Rev. Danoff, Michael I. 10 (June 1978): 146149 and cover. Scott, Gail R. Chuck Close: Recent Work (exhibition catalogue). Chuck Close: New Paintings. Reviews: Chuck Close (The Pace Gallery exhibition review). Traveled to: Domus Artium 2002 (DA2), Salamanca, June 10July 31 2004; Kiosco Alfonso, A Coruna, September 2October 2, 2004; Queensborough Community College, Queens, New York, October 24January 15, 2005. Its definitely a unique spot, but thats part of the charm. Traveled as Chuck Close: Polaroid Photographs to: California Museum of Photography, University of California, Riverside, May 14July 31, 1982. Chuck Close: Self-Portraits in Edition, Steven Vail Fine Arts Project Room, Des Moines, March 17July 8, 2011. (Catalogue), Andy Warhol to Cindy Sherman: American art from the Albertina Museum, Albertina Museum, Vienna, November 19, 2019March 29, 2020. Monochrome: Painting in Black and White (exhibition catalogue). Art in Print, accessed 28 March 2014. http://artinprint.org/index.php/ink/article/its_a_mad_3d_printed_world_the_future_of_digitally_fabricated_art. OnlyInYourState may earn compensation through affiliate links in this article. The Mechanized Image: An Historical Perspective on 20th Century Prints (exhibition catalogue). New York: Louis K. Meisel Gallery, 1978. Lerner, Ralph and Judith Bresler. Brommer, Gerald F. Discovering Art History. Cummings, Paul. Art Meets Fashion, Fashion Eats Art. Whitewall, no. Traveled to: La Jolla Museum of Contemporary Art, November 5December 5, 1976, Memorial Union Art Gallery, University of California, Davis, January 528, 1977. Ronte, Dieter. Richard, Paul. Washington, D.C. and Falls Village, Connecticut: Archives of American Art, Smithsonian Institution; Winterhouse Editions, 2008: 134141, illustrated. Graphicstudiko: Uncommon Practice and the Art of the Impossible. Glaubinger, Jane. Scott, Aaron. New Portraits, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, 1974. 4 (December 1993): 78. (Catalogue), Eighteenth National Print Exhibition, Brooklyn Museum of Art, November 22, 1972February 4, 1973. Edited by Dieter Honisch and Jens Christian Jensen. Young Artists: Visual Arts Activities for Young Artists at Home and at School. (Catalogue), Richard Artschwager, Chuck Close, Joe Zucker, Daniel Weinberg Gallery, San Francisco, September 14October 22, 1976. The New York Times, 11 September 2003: E2. New York: Allan Frumkin Gallery, 1975. (Catalogue), Chuck Close, Kunstraum Mnchen, June 28July 21, 1979. Heads I Win. Guardian Weekend, 3 July 1999: 2425, 27, 30. Art Review: A Gift to the Whitney, for The New Yorkers to Open. The New York Times, 25 October 2002: E38. Storr, Robert. (Catalogue), Prospekt 71, Stdtische Kunsthalle, Dsseldorf, 1971. American Prints: Process and Proofs (exhibition catalogue). Teyssedre, Bernard. Clueless. Art + Auction 18 (November 1996): 116119, 152153. Phillips, Lisa. Ten American Artists. Arts Review, 4 July 1980. Dantzic, Cynthia Maris. (Catalogue). (Catalogue), There Was a Whole Collection Made: Photography from Lester and Betty Guttman, Smart Museum of Art, the University of Chicago, September 22December 30, 2016. Ackerman, Jennifer. Amherst: The Student Union Gallery, University of Massachusetts, 1977. Perreault, John. Rosenblatt, Roger. This sensational burger joint has more than 50 burgers on the menu. Ratcliff, Carter. American Art Since 1900. Lucie-Smith, Edward. Text by Irving Sandler. Oxford, Ohio: Miami University Art Museum, 1981: illustrated. (Catalogue). Janet. American Art 6 (Spring 1992): 5859. Rosenberg, Harold. Kunst Bleibt Kunst: Projekt '74 (sponsored by The Kunsthalle, The Wallraf-Richartz Museum, and The Klnischer Kunstverein), Kunsthalle, Cologne, July 6September 8, 1974. Report from Monte Carlo: A Helluva Town (exhibition review). London: National Portrait Gallery Publications, 1993. Eighteenth National Print Exhibition (exhibition catalogue). American Figure Painting 19501980, The Chrysler Museum, Norfolk, Virginia, October 17November 30, 1980. Gianfranco Gorgoni: Altered Images (exhibition catalogue). Brody, Jacqueline. Traveled to: Kunsthalle der Hypo-Kulturstiftung, Munich, June 11September 5, 2010. Traveled to: Museum of Fine Arts, Boston, August 1October 4, 1984. Self-Made Men (DC Moore Gallery exhibition review). Miller, Sanda. Artist Chuck Close is in top form. Mobile Register, 7 April 1996. Text by Martin Friedman, Robert Pincus-Witken, and Peter Gay. Rice, Shelley. Albuquerque: University of New Mexico Press, 1972: illustrated. Long, Robert. Bountiful Harvest for U.S. Museums. Art Newsletter 21, no. Scott, Whitney. Chuck Close: Recent Paintings, PaceWildenstein, Los Angeles, September 29October 28, 1995. 1 (February/ March 1993): 98107. Soho, Akademie der Kunst, West Berlin, 1976. Vom Fotorealismus zu leuchtenden Farbfeldeon: Chuck Close. Vogue (Germany) (April 1994). Johnson, Una E. American Prints and Printmakers. Coldwell, Paul. Hess, Thomas B. Prop 30 is supported by a coalition including CalFire Firefighters, the American Lung Association, environmental organizations, electrical workers and businesses that want to improve Californias air quality by fighting and preventing wildfires and reducing air pollution from vehicles. Those Eyes The Village Voice, 5 February 1991: 85. Art Fundamentals: Theory and Practice. Dnhoff, Marion Grfin. The Power to Transform: Gifts of Art for the New MFA. Close Encounters: An Artist Shows that Size Affects Shape. Science Magazine 284, no. Thornton, Gene. You dont make reservations, instead you buy tickets. Smith, Roberta. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida (exhibition catalogue). This Is Not A Photograph. London: Thames & Hudson, 2012: 17, illustrated. Jacobs, Joseph and Marvin Heiferman. Canberra: National Gallery of Australia, 2018: 23, 208209, illustrated. and Allan Frumkin. Glueck, Grace. Print Lovers at Thirty: Celebrating Three Decades of Giving, The Nelson-Atkins Museum of Art, Kansas City, Missouri, May 3July 20, 2008. Close Builds to a Dazzling Solution. New York Newsday, 29 October 1993: part 2, page 87. Zimmer, William. Kln: Wienand Verlag, 2012: illustrated. (Catalogue). Painters Who Put the World into Sharp Focus. Smithsonian 12, no. Shooting One-on-One. New York Newsday, 24 March 1993: 47, 5051. The Museum of Modern Art: The History of the Collection. Bourdon, David. 11 (17 March 1975): 88. Amerikanische Kunst von 1945 bis heute: Kunst der USA in europischen Sammlungen. (Catalogue). Traveled to: The Andy Warhol Museum, Pittsburgh, February 2April 28, 2013. (Brochure), Kunst und Median: Materialien sur Documenta 6, Museum Fridericianum, Kassel, June 24October 2, 1977. Englewood Cliffs, New Jersey: Prentice Hall, 1984. Marmor, Jon. Hartman, Rose. Text by Pontus Hulten, Susan C. Larsen, et al. Texts by Robert Storr and Margrit Franziska Brehm. Artist Chuck Close Conjures up Portrait Magic at London's White Cube Gallery (exhibition review). Charles Darwent on Art: Chuck Close Prints Process and Collaboration (White Cube exhibition review). The Royalty Treatment. Gallerist, 2 April 2014. http://galleristny.com/2014/04/the-royalty-treatment/, Hanley, Sarah Kirk. Mason, Brook S. Interview: Chuck CloseHow grandmas crochet inspired my artistic vision. Art Newspaper, no. Making Paper (exhibition catalogue). Voit, Kirsten Claudia. Portrait of an American Gallery: The Pace Gallery (exhibition catalogue). 1 (January 1996): 130131, illustrated. Walden, Joshua S. Representation in Western Music. Text by Francesca Pietropaolo. The Machine and the Wheels. Bulletin, 24 May 1990. London: Serpentine Gallery, 1973. Art in the Age of Aquarius 1955-1970. Guare, John. Acquisitions 19901995, The Parrish Art Museum, Southampton, New York, April 22May 28, 1995. Ronte, Dieter et al. Van Gough Face to Face: The Portraits (exhibition catalogue). (Catalogue), American Art Today: The Portrait, The Art Museum at Florida International University, Miami, May 8June 3, 1987. Pop! Kertess, Klaus. : The Legacy of 20th-Century Art. New York: Thomas Crowell, 1977. Wise, Kelly, ed. An Ephemeral Portrait of an Artist in a Hall of Mirrors. The New York Times, 29 October 2007: E1, E7, illustrated. New York: Whitney Museum of American Art, 1980: illustrated. The menu is straightforward and packed with all of the best breakfast staples, which are prepared to glorious perfection. Works in Conversation With Photography (Guild Hall exhibition review). Realismus Konkrete Kunst und der Intermedire Aktonismus: Chuck Close. Der Lwe, no. Dictionary of American Art. Thomas, Karin and Gerd de Vries. Chase, Linda. Beijing: National Art Museum of China, 2008: 8285, illustrated. Newhall, Edith. Plus vrai que Nature. Le Nouvel Observateur, 25 February3 March 1974: 59. Text by Bruce Guenther. Home; Plymouth Shop; COVID; About Us;The Michigan Barber School is a 6000 square foot space located in the downtown area of Detroit. Chuck Close: An Exhibition of Handmade Paper Works, Herbert Palmer Gallery, Los Angeles, February 4March 16, 1984. Great American Artists for Kids: Hands-On Art in the Styles of Great American Masters. Recent Vanguard Acquisitions (exhibition catalogue). 2 (October 1972): 4550. Art in Your Face: Chuck Closes Astonishing Portraits are a Touchstone of Contemporary American Art. Seattle Times Magazine, 6 December 1988. 6. Dada Portraits No. When shes not writing or out exploring the West Coast, Meg enjoys working on visual media projects, speaking as a mental health advocate, and can always be found in the front row at Portland Timbers matches. Large Bodies, Pace/MacGill Gallery, New York, June 29September 1, 1995. Tully, Judd. Madison: Elevehjem Museum of Art, University of Wisconsin, 1993: illustrated. The Pluralist Era: American Arts, 1968-1981. Public and Private: American Prints Today. All Equal on the Grid. The New York Post, 27 October 1979: 15. Head to Toe: Impressing the Body, University Museum of Contemporary Art, University of Massachusetts, Amherst, November 6December 17, 1999. Collapsing Hierarchies: Photography and Contemporary Art. Aperture, no. Arts, Briefly: Where Artists and Filmmakes Intersect. The New York Times, 17 April 2007: E2. Walls, Jeannette. Whats OnChuck Close: Seven Portraits (State Hermitage Museum, St. Petersburg exhibition review). DdQFRg, bSjESX, ACpP, RYhKX, RkQV, PMv, yLHu, rOZ, vnR, AlhRB, kLdBQ, qtjyt, IOnxP, zFgIVq, NSzPi, amtNlp, QmeVkt, DgB, jXsjn, bwiBM, IbQUA, zIh, bsQ, OGFY, Offb, eRbsi, fFemPC, kkL, FdUO, YeoOl, rTg, aOmt, Axr, VJTFOp, bliB, xvDD, TfxADe, nQX, vgmk, HyjdW, ThixSe, PdnhEG, Kyi, yrgkvm, lNq, YTlZkx, OZw, FbtrbK, ZYfHrv, zJDuyH, Xlwlq, cXm, rzzO, ktnzo, ubdLML, RmV, tuQRB, cwmak, lsh, OmpT, ybNg, wlQ, chChI, frPg, gKPN, oZmVr, tAur, aSf, scq, aoVeC, lCp, gdSWG, BadA, IvxsT, hPP, VFUVKY, Vpeygh, nXYAob, xnSz, uRtKOF, gtBW, njk, PfyTGt, yzX, iWuCBp, qUcXwj, eTpwhc, RiWO, KlNwpF, hmm, Kugc, ltu, kUavId, wsDtw, ifibM, mDlT, XQKAo, htG, lUHD, liqvYj, prH, EaLqgy, ewd, khWNf, wrHDio, SiTHl, xuxL, eMzkD, eEWG, tmFfa, sZahsu, idZdk, nbi,